This LOOK FRAMES section showcases a variety of styles I have pitched over the years.

Three looks I concepted and executed for this hysterical Sony reboot of the original Anaconda.

Looks I developed for a trailer for American Sweatshop, a film about content moderators of a service similar to YouTube who flag disturbing imagery.

These whimsical titles for the trailer were inspired by the key art and the tone of the offline. I hand-drew the Dior sketches and other artwork and created the irregular, pink paper frames for the typography, suggesting the hand-made quality of couture craftsmanship while giving the titles a naive yet elegant simplicity.

During the initial stages of the Uncle Drew trailer development, I hand-illustrated cast treatments, which were used until version 6. At that point, the Pepsi advertising agency introduced photorealistic 3D bobbleheads of the cast, and we quickly transitioned to incorporating these new assets, along with accompanying 3D titles, for the final cut.

This trailer for Fox Searchlight's Day Watch won a Golden Trailer Award for BEST FOREIGN HORROR/THRILLER. I art directed and composited a custom 3D rebuild of the FOX SEARCHLIGHT logo, which was designed to seamlessly flow into the opening shots of the trailer. We also rebuilt the feature's 'chalk' prop in 3D to transition smoothly from the feature footage into the first title. I developed the sewer tunnel environment and light shafts to kinetically reveal each title in a chaotic yet interrelated way.